Hereford/Twickenham 1965-1967.
With this painting in 1967 it appears John used photography to photograph a painting with filters, making a day-light painting and evening light painting with the same painting. Always experimenting, changing his subject, using his surroundings. As you will see from the Gallery of his life-time of works.

Hereford/Twickenham 1965-1967.
With this painting in 1967 it appears John used photography to photograph a painting with filters, making a day-light painting and evening light painting with the same painting. Always experimenting, changing his subject, using his surroundings. As you will see from the Gallery of his life-time of works.

Hereford/Twickenham 1965-1969.
This painting is people watching, it has ended up being a record of fashion of it's time 1969, keeping in mind that most artists starting point to drawing and painting are from there surroundings as John's was. Also John used filters when taking photographs of his paintings.

Hereford/Twickenham 1965-1969.
Again, this painting is people watching, it has ended up as a record of fashion of it's time 1969, keeping in mind that most artists starting point to drawing and painting is from there surroundings as John was. Also John used filters when taking photographs of his paintings.

Hereford/Twickenham 1965-1969.
Detail, again this painting is people watching, it has ended up as a record of fashion of it's time 1969, keeping in mind that most artists starting point to drawing and painting is from there surroundings as John was.

Hereford/Twickenham 1965-1970
Two paintings were created from this one drawing, FRAGMENTS No1 and No2.

Hereford House/Twickenham 1970.
This was the first of many 'Fragments' through-out John's art-work. Between 1968 and late 1970's, there seems to be a break in his collection of art-work.

Hereford House/Twickenham 1970.
These were the first of many 'Fragments' through-out John's art-work. Between 1968 and 1976, there seems to be a break in his collection of art-work, may-be due to another life change.

Hereford/Twickenham 1965-1970.
This painting seems to signify an end to Hereford ties. It has all sorts in it.

Hereford/Twickenham 1965-1970.
This is a photograph taken by the Artist John, before leaving Hereford to go live and work in London again.

Hereford/Twickenham 1965-1970.
Hereford landscape was painted at the time that John was leaving Hereford to go live and work in London again, between 1965-1970.

Twickenham 1969-70.
Unsure where this painting was painted, London 1969-70. John was on the move.

London 1965-1970.
Was painted after John had moved from Hereford to London between 1965-1970. At this time he took up a teaching post in a Secondary Modern school (as they used to call a Junior school then) in Harlesden, where he succeeded in some children passing a top-grade in Art.

Harlesden/Twickenham, London 1970.
Evening Light. Drawing was always important to John's art-work.

Harlesden/Twickenham, London 1965-1970.
Was painted following the drawing or drawings, whilst he lived and worked in Harlesden, London (Moon-Light).

Harlesden/Twickenham London 1965-1970.
This paintings subject was somewhere around Harlesden or Twickenham.

Harlesden/Twickenham, London 1965-1970.
This paintings subject was somewhere around Harlesden or Twickenham. (in Mono print)

Twickenham, London 1975.
This painting is depicting how a piece of slate in water with day-light on it looked to the artist. John used photography as starting points as well as drawing with his art-work. This painting was created whilst John was in London 1975.

This lovely painting was created after John had a holiday somewhere in the south of England in 1976 (but no name given as to where)

Twickenham/Cerrigydrudion 1977-1980.
It is not known where this painting was developed, as John's life was changing again between 1976-1980. He continued to work at St. Mary's College of Art in Twickenham, London till around 1980-81. He moved to Cerrigydrudion, North Wales in 1980.